Classical child figure

Meissen, crossed swords mark, 1 nave, model by Michel Victor Acier 1770, model no. C 90, actually a girl with a wooden sheep, standing girl, holding a cup on a tray, on a round rocaille base, painted in colour, equipped with gold, tulle porcelain partly damaged, partially restored, H approx. 15 cm, second half of the 19th century

Modern women's ring

Yellow gold 585, organically shaped ring head set with a ruby (approx. 0.18 ct) in a square cut and with a total of 12 irregularly placed brilliant-cut diamonds (total approx. 12 ct, FW-W, vvs-vs), satin-finished top, high Attached shoulder area, angular ring band, ring head up to approx. 1.2 x 1.8 cm, ring size 67, gross approx. 6.6 g, expertise is available

Solitaire diamond ring

Yellow gold 585, brilliant (approx. 0.25 ct) in a square setting, the wide, high ring shoulders serrated three times, edged ring band, slight signs of wear, B up to approx. 0.9 cm, ring size 58, gross approx. 7.1 g

diamond ring

White gold 585, 8 rows of brilliant-cut diamonds in Mugel bezel settings, flanked on both sides by rows of 9 rubbed-in green brilliant-cut diamonds each, edged ring band, 2 stones slightly damaged, ring head approx. 0.7 x 2 cm, ring size 52, gross approx. 4.8 g

lidded tankard

Silver tested, Augsburg city hallmark, additionally marked A, cylindrical wall on a flared base ring, arched hinged lid with a figural knob, acanthus leaf motif driven and chased almost all over with fruit, strap handle, nice condition, H approx. 17 cm, approx. 468 g, around 1700

Historicism top cabinet

Walnut, partly veneered on oak and coniferous wood, two-door base cabinet with frame drawers and pull-out shelves on pressed ball feet, two-door attachment above turned columns, segmented gable crowning, rich decoration of decorative strips, carved lion heads as well as foliage and scrollwork, signs of age and wear, approx. 257 x 150 x 70 cm, German around 1880

Uhlig, Max (1937 Dresden - active ibid.)

Ink on transparent transfer paper, woman's head, signed and dated (19)72 lower right, the transparent paper slightly browned, four minimal defects in the paper, otherwise in good condition, sheet approx. 41 x 26.5 cm, 1955-60 studies at the HBK Dresden , 1961-63 master student at the Academy of Arts with Hans Theo Richter, 1995-2002 professorship at the HBK Dresden, from 2014 design of the glass windows for the Sankt Johanniskirche in Magdeburg // Saxon artists, GDR art

Keller, Fritz (1915 Rothenbach - 1994 Bad Berka)

Oil/hardboard, Black Panther, unsigned, rs. provided with estate stamp and numbered 1186, narrow black lacquered frame, approx. 120 x 135 cm, with frame approx. 122 x 137 cm, 1935-43 studied at the State Academy for Graphic Arts and Book Trade in Leipzig with A. Braunschweig, W. Buhe, H. Dörffel, A. Drescher, H. Soltmann, W. Tiemann, H. Weissenborn and J. Zeitler, master students of A. Drescher in Leipzig, 1951-76 art teacher in school service, from 1976 freelance in Glauchau // Saxon Artist, Late Expressionism

Keller, Fritz (1915 Rothenbach - 1994 Bad Berka)

Oil/hardboard, lagoon landscape, rs. signed, titled and provided with the artist's address, unframed, slight signs of age, approx. 135 x 120 cm, 1935-43 studied at the State Academy for Graphic Arts and Book Trade in Leipzig with A. Braunschweig, W. Buhe, H. Dörffel, A. Drescher, H. Soltmann, W. Tiemann, H. Weissenborn and J. Zeitler, master students of A. Drescher in Leipzig, 1951-76 art teacher in school service, from 1976 freelance in Glauchau // Saxon artists, late expressionism

El Loko (actually Edoh Lucien Loko) (1950 Pedakodji/Tongo - 2016 ibid.)

oil/canvas on hardboard, Weltenseiten-Duwe 22, monogrammed and dated 2001 lower right, approx. 108 x 85 cm, narrow frame, training as a textile designer, after being offered a place at the Düsseldorf Art Academy, he moved to Germany to start his studies in 1971, he studied with Joseph Beuys, Rolf Crummemauer and Erwin Heerich, 1977 degree in Fine Art with appointment as master student, first academically trained artist with African origin, since 1982 freelance in Duisburg and Cologne, EL Loko was looking for a global identity in his series of works World Faces. The faces of the world are represented in paintings of various sizes, in which elements of the cosmic alphabet can also be found. Different color schemes of black, white, yellow and red reflect different human races. Faces present themselves without any specific features that would allow them to be assigned to origin or gender. The universal human face is shown in a seemingly infinite variety of designs. EL Loko's world faces are faces of the other that look at us at eye level and appear like a mirror of ourselves.

African bust

Ivory, carved and polished, half-length portrait of a young African woman with her hair strictly tied back, a shawl and earrings and necklace, round wooden base, left shoulder with a glued shrinkage crack, total height approx. 22 cm, Congo region 1935/40, CITES certificate is available

Mythological figure group

Königliche Porzellanmanufaktur Nymphenburg (pressed lozenge shield), based on the Frankenthal model by Johann Adam, model no. 71, Flora with Pomona, Flora as the Roman goddess of flowers together with Pomona as the goddess of tree fruits, surrounded by assistant figures with various attributes, rock base, white glazed, flower pad slightly damaged, H approx. 28 cm, L approx. 32 cm, 20th century

Art Nouveau bracelet

Yellow gold 585, 2 rose-cut diamonds, 2 square-cut spinels and 1 central seed pearl placed on the oval frame on the obverse side, organically serrated clasp links extending from them, integrated plug-in clasp with safety eight (safety chain missing), W up to approx. 1.2 cm, strand L approx. 18 cm, gross approx. 11.5 cm

teapot

Silver 800, Otto Bortenreuter, Dresden, in the so-called Dresdner Hofmuster, strongly flattened body supported by four feet with shell-like relief, hood lid with knob and lateral hinges, diagonally vertically structured wall, handles decorated with acanthus leaves and shells, insulating rings are missing, stronger signs of age on the inside , otherwise nice condition, H approx. 19 cm, approx. 678 g, early 20th century

traction engine

Doll, Nuremberg, spirit firing, kettle with a D of approx. 6.5 cm, signs of age and wear, L approx. 22 cm, around 1910/20

walking stick

Russia, tapered, pommel made of turned malachite stone, decorative ring and tip made of bone, covered with individual pieces of malachite, polished, L approx. 102 cm

katana

Short sword, scabbard and handle made of bone, carved with figures and ornaments all around, brass cuffs, with the coat of arms/Kamon, sword with a slightly curved blade, total length approx. 83 cm, Japan around 1900

Roller music box with bells

Manufacturer: Paillard Vaucher et fils, Switzerland, wooden case with fine inlays in the lid, colored lithography as an interior image with 8 displayed songs, clockwork case, pinned barrel made of brass (W approx. 28 cm), tongues intact, strike on five nickel-plated bells, tarnishes , good sound, case with minor signs of age, approx. 27 x 54 x 31 cm, late 19th century

candy tin

800 silver, partially gold-plated, Italian hallmarks, rectangular shape with matching curved walls, supported by four volute feet, slightly curved hinged lid, richly decorated with carved baroque motifs and engraved foliage, lid crowned with a bright lapis lazuli blue oval-cut gemstone, good condition, approx. 9 x 16 x 14 cm, gross approx. 545 g, 20th century

Schulz, Fritz (about 1823 Berlin - 1875 ibid.)

Oil/canvas, relined, half length of a young maid with shouldered rake, signed lower left and dated 1855, approx. 42 x 32 cm, with frame approx. 56 x 46 cm, pupil of Horace Vernet in Paris

Art Nouveau Vase

Émile Gallé, Nancy, tear-off glass with spherical stitching scar, baluster shape with swinging mouth, clear glass partially underlaid in yellow, highly etched decoration with fuchsias in violet, wall acid-etched inside and out, relief signature Gallé in the lower part of the wall, H approx. 20.5 cm, around 1915

figure group

Meissen, crossed swords mark, 2 cuts through, model by Alexander Struck 1940, model no. P 289, Happy Mother, standing figure of a young mother with a baby and a small child, white porcelain, oval base on the reverse. With artist's label, H approx. 44.5 cm, molding from the original period around/after 1940

diamond ring

Yellow gold 585, 3 rows of brilliant-cut diamonds (total approx. 0.38 ct) in a slight size gradient as an eye-catcher of the domed ring head with deep diagonally grooved structure, W approx. 0.8 cm, RG 51, gross approx. 5.2 g

Indistinctly signed

Oil/canvas, ships in the evening sunshine in front of a southern coastal town, signed lower left, rocaille frame, signs of age, approx. 63 x 80 cm, with frame approx. 82 x 100 cm